Senior Lecturer in Product Design and Design Historian Clive Hilton offers us his critique of the Design Roots III exhibition:
It takes an exercise of this nature – an exhibition of sculptural pieces, each of which represents a significant design movement – to make startlingly visible to the visitor just how central has been the role of the designer in the construction of the material, cultural and social fabric of the world we inhabit today. It serves to highlight to the design students themselves that they belong to an influential continuum and that, historically, their contributions very much mattered; and, more importantly, that they should continue to matter.
